Halfway down the stairs

black and white, black and white, street, urban
IMG_4494

The Halfway House, Fleshmarket Close, Edinburgh. 1/60, f/3.2, ISO800

Back to some Edinburgh street photography yesterday, after a long break. There is someting gruesome about Fleshmarket close, and not just because of the Ian Rankin novel of the same name. While it’s right in the middle of Edinburgh’s tourist honeypot, it does come with some noteriety.

The close is named after the meat market that existed here, when it was a close that led down to a slaughterhouse on Nor’Loch. The loch is long since drained and is not Waverely Railway station and Princes Street Garden’s.

It’s a good place to get some subject lighting, from the lights around the pub.

Light on a Distant Shore

Blogging, colour, landscape and nature

It has been a while since I’ve put a photo up. Other priorities getting in the way.

There was some dark, wet windy weather today in Edinburgh. With gaps in the clouds this can set off some intersting light when the sun breaks through. Cramond was unusually quiet, with most people avoiding the squally showers – but well worth a walk to blow away the cobwebs.

Light on a distant shore
1/100s, f/6.3, ISO100, 50mm lens

Sunset Haar

colour, landscape and nature

sunset haarIt’s quite unusual to get a sunset haar. It changes the nature of something that is cold and damp and depressingly common on sunny days when the wind comes off the North Sea.

Lighhouse, John Burnside 2002

So let the mist come down, let there be haar,
long afternoons of drizzle, months of fog,
that we might know ourselves
–such as we are–